Mélisandre Schofield, Stephan Schulz


magazine DIALOGUE

Ein interaktiver Kurzfilm


magazine DIALOGUE: the window view [link 01]

magazine DIALOGUE: the window view

Kurzdarstellung

Kurzbeschreibung

Zwei Leute sitzen beieinander, sie geben Worte von sich, sprechen jedoch nicht wirklich miteinander. Sie haben jeweils eine unterschiedliche Perspektive ihrer Situation, nehmen jedoch die Chance nicht wahr, dies zu ändern.
Dieser interaktive Kurzfilm befasst sich mit acht unterschiedlichen Perspektiven der gleichen Situation. Durch das Umkreisen der beiden Personen erhält der Benutzer immer mehr und variierende Informationen über sie.

KünstlerInnen / AutorInnen

  • Mélisandre Schofield, director/writer, NSCAD-Halifax
  • Stephan Schulz, director/programmer, UDK-Berlin

MitarbeiterInnen

  • Sue Snyder, actor
  • Jesse Lund, actor

Entstehung

Kanada, 2002-2003

Eingabe des Beitrags

stephan schulz, 12.05.2003
der_stephan@gmx.de [link 02]

Kategorie

  • künstlerische Arbeit

Schlagworte

  • Themen:
    • Mixed Reality |
    • nonlineare Narration |
    • Interaktivität
  • Formate:
    • CD-ROM |
    • interaktiv |
    • Video
  • Technik:
    • Macromedia Director |
    • Quicktime |
    • Digitales Video

Ergänzungen zur Schlagwortliste

  • very filmic |
  • DVD-R

Inhalt

Inhaltliche Beschreibung

She wants to leave but wants him to say: stay. He wants her to stay but doesn't know why.
The many layers our reasoning have. The way we try to squeeze the content of our thoughts and feelings out into reality is not always constant. We see and understand things from varying perspectives. Two people sit across from each other and attempt to free themselves of their words by meandering around what they have to say. Their conversations tip toe around subtext.
This is an interactive video in which the audience can move through 8 camera perspectives that form a circle around two people. All perspectives run parallel, are governed by the same emotional subtext, and yet are scripted differently.
As the viewer moves from one perspective to another, the relationship changes in order to fall into two levels of experience. In half the perspectives one person in the couple has lost the keys to the apartment; there are no copies. They are unable to distance themselves emotionally from the situation; they are unable to communicate. In the other half, they hardly know each other. They pretend they are a couple in order to discuss what is going on with more distance and objectivity.
Their conversations are fragmented. Questions are left hanging; time passes in silence. The viewer's interaction adds to the fragmented nature of this piece. While moving through all 8 perspectives, sub-currents accompany the viewer through his/her own abstracted and individualized cut. How it works: by moving the mouse to the side of the screen the viewer will hear the sound from the corresponding perspective fade into the sound from the perspective seen. By clicking on the side of the screen the viewer will see the perspective previewed audibly. Some parts are non-interactive, during these the viewer will not be able to change perspectives.

Technik

Technische Beschreibung

The user clicks on the left or right side of the film and by that the program cuts to the next following perspective. By only moving the mouse to the left or right the sound of the following perspective fades in and the user has the possibility to mix 2 sound sources.

Hardware / Software

This interactive film only needs a macintosh and a usb mouse, with DVD-R drive
about 100 mb free RAM
use 800*600 monitor resolution
mac OS 9.2. (G4 and iBook)
Director 8, Quicktime 5, Premier 6
pro tools
DVD-R drive

  • › digital sparks 2003 [link 03]
  • › cut–scene 1 after 6 min [JPEG | 63 KB ] [link 04]
  • › cut–scene 2 at the end [JPEG | 58 KB ] [link 05]
  • › clip from window perspective [15 MB ] [link 06]
  • ›  [25 MB ] [link 07]