john lawrie cobban, ken davidson, tam dean burn


genetic wake

installation and decroux-based creation working with passages and structures in the novel Finnegans Wake


shem, cleveland performance art festival [link 01]

shem, cleveland performance art festival

Kurzdarstellung

Kurzbeschreibung

Masked, in "fetishist's moustache, the acid bath murderer's wire framed specs and the rabbinical homburg" - Variant, FWII.4(12:383-399):1923-39 (1993) - Tam Dean Burn brought to life a suitably distorted 'HCE' protagonist as a surreal simulacrum of James Joyce. With director, Ken Davidson, and composer, John Cobban, GENETIC WAKE performances were produced under the banner of 1028 [process]. Electronic music scores accompanied performances in theatres in Glasgow. Development and practical work across 1992 and 1993, outlined the project's subsequent 'genetic' paths and accompanying frameworks.

KünstlerInnen / AutorInnen

  • john lawrie cobban, composer
  • ken davidson, regisseur, 1028
  • tam dean burn, actor

Termin

  • 1. Januar 0002-1. Januar 0003

Veranstalter

process/1028

Kontakt

abc@invisible.gq.nu

Veranstaltungsort

scotland, england, rumania, usa, Vereinigtes Königreich

Partner / Sponsoren

tramway, glasgow
bac, london
cleveland performance art festival
medium 3
national review of live art, uk
medium 4
foundry, london
tardis, london
fly, glasgow

Kommentar

exhibitions 1997-2000

New Foundry, London, June 28 2000 - MORE LIGHT MORE POWER

New Foundry, London, August 1999 - documentation, « Hill »

Clerkenwell Literary Festival, TARDIS, London, July 1999 - documentation, « Hill »

Streetworks Festival, Street Level Photoworks, Glasgow, October 1998 - «plein air»

FLY 1, FLY Gallery, Glasgow, July 1997 - soundtrack / installation «Themes from Mr Porter»

MEDIUM 4, Sf. Gheorge, Rumania, May - September 1997 - sound and publicity

performances 1993-2001

past Eve and Adam's Glasgow TRAMWAY Theatre, February 1 - 3 2001 (50') — St Bride's Day

Lessons BAC London, March 26-28 1996 (25')

Mr Porter Glasgow TRAMWAY Theatre, September 21 - 23 1995 (70')

Hill Black Wood, Castlemilk, Glasgow, June 21 1995 (90"; June 16 - July 1) — Midsummer's Night's Eve

Shem Cleveland Performance Art Festival, Ohio, USA, April 15 1995 (25") — Holy Saturday

Bright New Day National Review of Live Art, Glasgow, October 28 1994 (8')

Fragment of an Unpublished Work MEDIUM 3, Sf Gheorghe, July 26 1994 (2'15") - Lucia's birthday

Here Comes Everybody Glasgow TRAMWAY Theatre, 17-22 May 1994 (70")

FWII.4(12:383-399):1923-39 Glasgow TRAMWAY Theatre, 8-11 October 1993 (4'30") — Joyce and Nora's elopement

Eingabe des Beitrags

valentina culpa, 22.10.2002

Kategorie

  • Performance

Schlagworte

  • Themen:
    • Repräsentation |
    • Theater |
    • nonlineare Narration |
    • Musik |
    • Körper |
    • Audio |
    • Hypermedia |
    • Performance Kunst |
    • Narrative Intelligenz |
    • Architektur |
    • Kulturvermittlung |
    • Konzeptuelle Arbeit |
    • Copyright |
    • Fiktion |
    • Kollaboration |
    • Autor |
    • Urbaner Raum |
    • Tanz |
    • Identität |
    • Geschichte |
    • Cultural Studies
  • Formate:
    • Montage |
    • 2D |
    • Text |
    • Performance |
    • Installation |
    • Film |
    • Audio |
    • Video
  • Technik:
    • Digitales Video

Ergänzungen zur Schlagwortliste

  • dada, joyce, finnegans wake
  • › Community/netzkollektor [link 02]

» http://invisible.gq.nu/index1.html [link 03]

  • › source reading, 2001 [1 MB ] [link 04]
  • › documentation, 1993-1996 [PDF | 803 KB ] [link 05]