Maurice Benayoun


From Virtual to Public Space

Toward an Impure Art


World Skin, 1997, M. Benayoun, J.-B. Barrière, Z-A, AEC, SGI. [link 01]

World Skin, 1997, M. Benayoun, J.-B. Barrière, Z-A, AEC, SGI.

Kurzdarstellung

Kurzbeschreibung

The digital world, with the development of the Internet, leads to consider the end of boundaries in terms of writing space. We are used to saying that political and geographical frontiers have been erased by the upcoming of the Internet, that pictures, text, music, animation film and interactive media are now parts of the same workspace. Outside the Internet there is a limit brandished as the ultimate banner: the limit between the virtual and the real. This goes with the limits between Art and crafts, real life and illusion, tea and milk…

KünstlerInnen / AutorInnen

  • Maurice Benayoun, Université de Paris 1, Pantheon-SorbonneZ-A.net

Entstehung

Deutschland, 1997-2001

Eingabe des Beitrags

Maurice Benayoun, 15.06.2001

Kategorie

  • künstlerische Arbeit

Schlagworte

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Ergänzungen zur Schlagwortliste

  • Agents |
  • virtual environment |
  • immersive television |
  • intelligent interfaces |
  • Virtual Reality |
  • situation art |
  • CAVE |
  • art installations |
  • augmented reality |
  • public space
  • › cast01//Living in Mixed Realities [link 02]

» http://www.benayoun.com [link 03]

  • › PDF File [729 KB ] [link 04]