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netzspannung.org Contributions
Field
- Culture |
- Media
Abstract
Program Director Doctorate Program Scenography, Zurich University of the Arts (ZHdK) and University of Vienna. Curator for Theory, Prague Quadrennial of Performance Design and Space (PQ)
Institution
- Zurich University of the Arts. University of Vienna
» http://www.univie.ac.at - Postgraduate Programme Scenography
» http://sceno.zhdk.ch - Prague Quadrennial of Performance Design and Space (PQ)
» http://www.pq.cz
Biography
Informed by her dual backgrounds as opera director and academic, Thea Brejzek's research addresses questions of virtuality and physicality on the mediated stage, intermediality and practice-based research in scenography. She is a member der History & Theory Commission and of the Swiss Socienty for Semiotics and Cultural Theory as well as a Second PhD Supervisor in Z-Node, University of Plymouth UK and a member of the Scenography Research Group at the University of Catalunya, School of Architecture.
Exhibitions / Presentations
Stage productions include: * ARIADNE AUF NAXOS (R. Strauss) Opera Australia, Sydney Opera House, Sydney * MEMORIA FUTURA BACON (P. Ferreira Lopes) World Premiere, Schauspielhaus Vienna * AS I CROSSED A BRIDGE OF DREAMS (P.Eoetvoes) World Premiere, Donaueschinger Musiktage / Cite de la Musique Paris, and * IOSIS (Gesualdo et al) World Premiere, Eclat Festival for New Music, Stuttgart.
Publications
Monitoring Scenography 2: Raum und Wahrheit / Space and Truth (Co-Hrsg. und Vorwort) A Series on Scenography by the Zurich University of the Arts ZHdK, Oktober 2009
Szenographie. In: Raumwissenschaften, Hg. Stephan Guenzel, Suhrkamp Wissenschaft, Frankfurt a.M. 2009, gemeinsam mit Gesa Mueller von der Haegen, Lawrence Wallen, S.370-386
Monitoring Scenography 1: Raum und Macht / Space and Power (Co-Hrsg. und Vorwort) A Series on Scenography by the Zurich University of the Arts ZHdK, 2008
New Contexts for Research in Performance (Text and Artists DVD). In: PARIP-Practice as Research in Performance, ed.by L. Allegue Fuschini, University of Bristol, 2009
A Theatre of Ghosts? Some Thoughts relating to the Representation of Art and Scenography. In: Exhibition on the Stage: Reflections on the 2007 Prague Quadrennial. Ed: Arnold Aronson. The Theatre Institute Prague 2008. S. 17-25
Narrative, Transformed, Mediated: The Hybrid Spaces of Scenography. In : Scenography International Issue 10. (mit Lawrence Wallen) http://www.scenography-international.com
Physicality and Virtuality: Memory, Space and Actor on the Mediated Stage. In: The Potentials of Spaces, Eds.: Alison Oddey and Christine White. Intellect Books, Bristol UK 2006. S. 157-173
Körperlichkeit und Virtualität. (Artists DVD und Text). Hrsg. Danielle Perrier, Jahrbuch Künstlerhaus Schloss Balmoral, Bad Ems 2003. http://netzspannung.org/database/102296/de
The Actor as Agent: Performative Memories. Cast01 Conference Proceedings. Hrsg: Monika Fleischmann und Wolfgang Strauss, MARS Media Arts Laboratory Fraunhofer IMK, Bonn/St.Augustin 2001.
http://netzspannung.org/database/131666/de
Keywords
- Topics
- conceptual work |
- body
Additions to Keyword List
- Music-Theater |
- Theory |
- Scenography