Janet Cardiff, George Bures Miller


Walks

Ortsspezifische Audioguide-Touren an der Grenze zwischen Fiktion und Realität


Walks_Forest Walk_Banff Centre_1991 [link 01]

Walks_Forest Walk_Banff Centre_1991

Kontext

Statement

FIRST INSPIRATION:
Janet Cardiff has said that she went for a walk in a cemetery and recorded the inscriptions on the tombstones on a Dictaphone that she was carrying. When she went home and listened to it later, she thought it sounded interesting and it inspired her to create an audio “walk.”

INNOVATIVE ASPECT OF THE PROJECT AND PARTICULAR RESEARCH INTEREST:
Three dimensional sound recording. Locating the viewer in space. How the viewer interacts with the art work, and the boundaries of experience.

SKILLS AND RESOURCES NECESSARY TO REALISE/ORGANISE THE PROJECT:
Sound recording and editing

REACTIONS TO AND EVALUATION OF THE PROJECT:
Very positive reaction. The walks explore the boundaries of intimacy, physical space of the viewer in relationship to the artwork. They question how artwork functions within and outside of the gallery or museum white box space. The questions that arise are innumerable.

FOLLOW-UP PROJECT:
The Paradise Institute was shown at the Venice Bienniale where Cardiff and Miller represented Canada. This piece also uses three-dimensional sound, but the viewers are seated in a mock theatre. la biennale di venezia, 2001, Pavillon, Canada


(All answers by Claudia Altman-Siegel, Luhring Augustine Gallery , NY on behalf of Janet Cardiff)

  • › Medienkunst und Forschung [link 02]

» http://www.abbeymedi…ia.com/Janweb/jan.htm [link 03]

  • › Review_Wanås Walk_1998_by G.M. Dault [PDF | 66 KB ] [link 04]
  • › Walks_I've been waiting for you_Chateau Marmont_1996 [42 KB ] [link 05]
  • › Walks_Chirascuro_1997_San Francisco Museum of Modern Art [109 KB ] [link 06]
  • › Fig._Wanås Walk_1998_Wanås Foundation Sweden [JPEG | 27 KB ] [link 07]